Danitrio Camellia Flower Haru Ranman on Genkai Fountain Pen

SKU: BYAG-21-D
$2,600.00



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 100% Genuine Urushi

 Contains the Maki-E Red Seal (Highest Quality of Maki-E Art)

 Hand-painted by highly-trained Japanese Artisans

This pen depicts an abstract illustration of camellia flowers in the process of blooming. Haru Ranman (春爛漫) in Japanese means "Spring in Full Bloom".
Byakudan-nuri technique is also applied on this pen. Byakudan generally consists of floating gold or silver foil in the urushi layers of the pen to create a gleaming and radiant luster. In this pen, artisan Masanori-san creates a rendering of Byakudan using pieces of gold embedded in the layers, which emits a subtle but powerful visual effect.

About Danitrio Genkai Series:

The owner of Danitrio had called this series of pens "Genkai", meaning "limit" in Japanese. The intent was that this would be the largest pen series of Danitrio and no other pen would be larger than it. Little did he know that later on he would develop a series with an even larger pen called the Yokozuna.

 Nib Details:

This pen is furnished with an 18k Gold, two-toned #8 nib. 

An UrushiPen.com representative will contact you to confirm nib tip size preference (fine, medium, broad, or stub) following the placement of the order.

 Technical Specification:

Cap Length 75 mm (2.95")
Cap Diameter 20 mm (0.79")
Barrel Length 152 mm (5.98")
Barrel Diameter 18 mm (0.71")
Pen Length (Closed) 173 mm (6.81")
Pen Length (Posted) Cap does not post
Net Weight 42.5 g (1.5 oz)
Net Weight (w/ink full) 53 g (1.87 oz)
Filling System Eye Dropper


 About the Artisan:

 


This pen was hand-painted by Masanori Omote (Masanori). Born in 1938. Masanori was awarded the "Dento-Kogei-shi" title in 1994, which an honorary title meaning "master of traditional crafts" and is given only to a select few artisans who have a significant contribution to their craft. He learned Maki-E on commonly used items and often showcases his work at art exhibitions in Japan such as Dento Kogeiten, art-and-craft exhibition established in the 1950's to help foster and pass down the skills of Japanese traditional crafts. In addition to practicing Maki-E, he has also has been a teacher at the Yamanaka Urushi Technical Center. He likes to use different lacquering techniques on the same piece and is inspired by the four seasons. He states that he wo